Occupy Cinema

Following the $320 million run of Suzume, Sony Pictures and Crunchyroll renew their global theatrical pact for the director's eighth feature.

By bypassing the traditional studio spec market and financing his own visions, writer-director Jonah Feingold has turned prolific indie production into a sustainable career.

Following an eighteen-month casting drought after wrap, Inde Navarrette's lead turn in Curry Barker's supernatural thriller proves why low-budget horror remains Hollywood's...

Curry Barker's Blumhouse-backed thriller turned an eighteen-month dry spell into one of the year's defining genre breakouts.

Inside the production mechanics, documentary craft, and lasting cultural footprint of the most famous table in modern nonfiction television.

The non-profit cinema operator secures the 1915 landmark, adding 35mm projection and permanent institutional stability to the Upper Midwest exhibition circuit.

Following in the footsteps of Quentin Tarantino and Jason Reitman, Kristen Stewart steps up to rescue the historic Highland Theatre from commercial redevelopment.

A federal judge scheduled the high-stakes antitrust trial for March 2027, triggering a costly ticking clock for the media giants under state and guild scrutiny.

A ten day scramble to master Shakespeare's longest female role ended in a brutal review, but M. Night Shyamalan was sitting in the audience.

Unscripted street footage reveals a glaring truth about modern filmmaking: practical scale and real public indifference cannot be simulated on a soundstage.

Filmmaker Gonzalo De Vega and Olympic skateboarder Danny León executed a single-take stunt against Europe's total solar eclipse, merging optical compression with extreme sports...

Olympic skateboarder Danny León aligned a high-speed drop-in with the exact moment of totality, creating a once-in-a-century practical frame.

Following his Oscar win for The Zone of Interest, Jonathan Glazer pivots to a collaborative documentary shot by children at Abbey Road and in global conflict zones.

Paloma Schneideman debuts Big Girls Don't Cry at Sundance, backed by Jane Campion's A Wave in the Ocean initiative and international distributor Blue Fox Entertainment.

In an era of instant streaming and infinite pause buttons, the enforced focus and high-margin ritual of the cinema remain unmatched.

The three-time Oscar nominee is stepping away from single-lead features, embracing high-stakes television ensembles where creative freedom and shared pressure take center stage.

Inside the high-wire logistics and minimalist camera craft behind the iconic Hanoi episode of Anthony Bourdain: Parts Unknown with Barack Obama.

The Hong Kong New Wave icon will accept the prestigious prize honoring female leadership in cinema at the Busan Cinema Center on October 6.

Film at Lincoln Center has added 'Joy of Joys' to the 64th New York Film Festival. The War Child documentary marks Glazer's first project since 'The Zone of Interest'.

Founded in 2012 with zero studio legacy, A24 turned festival acquisitions into cultural phenomena and redefined modern independent cinema.

Scarlett Johansson is locked for Ari Aster’s mystery project at A24. Now Jacob Elordi is circling a role as production prepares for a fall shoot.

From Tsui Hark's censored Hong Kong classic to a lost Yugoslav masterpiece, Metrograph's autumn restoration lineup proves film preservation is an essential theatrical engine.

After years of actor fatigue and inflated visual effects budgets, major studio tentpoles are turning back to practical set construction and legacy craft techniques.

With a staggering $1.1 billion global haul in its first month, Christopher Nolan’s ancient epic passes ‘The Dark Knight Rises’ before even touching down in major Asian markets.

Long before he commanded armies on set, Akira Kurosawa conquered the blank page. Inside the legendary Japanese director's disciplined screenwriting process.

Director Jacob Chase flips the rules of the hit horror franchise, bringing the demons of the Further directly into the physical world.

Matt Johnson directs Dominic Sessa as a 19-year-old Anthony Bourdain in A24's focused Provincetown drama, executing a strategic late-summer platform release.

Paul Thomas Anderson and cinematographer Robert Elswit relied on silence, 35mm film, and real fire to craft a timeless cinematic sermon on greed.

From Blade Runner to Strange Days, the target years of speculative cinema have come and gone, proving filmmakers are better sociologists than engineers.

The Toronto International Film Festival puts archival cinema front and center with 4K restorations of Fei Mu's influential drama and Artavazd Pelechian's montage gems.